Art History

Facing Or Masking Ourselves

Here within the orbit of Manhattan, masks are not merely tolerated; they are embraced. Obedience to Covidian biopolitics elevated masking to a sacramental act. It has become the secular analogy to sprinkling holy water or making the sign of the cross. Merit accrues to a new ritual observance that effaces individual identity and desensitizes us to the complex role of faces in personal communication. This compulsive masking sharpens my memory of words that have stayed with me since girlhood: “By the time you are 40, you are responsible for your own face.” Continue Reading
The Annunciation: Tidings From A Painter & A Theologian

Today is the feast of the Annunciation. The Gospel story of an encounter between an angel and a peasant girl in ancient Judea has provided us with a treasury of luminous depictions. Much as I love the inventory of them as works of art, only one draws me to wonder and to prayer. The essential commitments of faith do not begin in intellectual assent. That comes later. Intellect ratifies what the heart has already glimpsed. And the eye grasps certain things in an instant; the mind takes longer to grant approval to reasoned argument. Continue Reading
Scattered Notes on Notre-Dame

My heart splintered watching Notre-Dame go up in flames. The disorder of my own responses—a jumble of dismay, anger, and foreboding—permits no tidy structure. What follows is a series of thoughts in no strict sequence. Bear with me. •    •    •    • “Somebody did something” on 9/11. Taking a cue from Ilhan Omar, can we wonder if somebody did something to Notre-Dame? It is a rational conjecture. Watching the cathedral tower burn, it was impossible for the mind’s eye not to go directly to the burning towers of the World Trade Center. Continue Reading
Paglia & the Art of Transgression

The oddities of Archbishop Paglia’s 2007 commissioned mural stirred interest in other works by Ricardo Cinalli, the Argentinian artist who painted it. Why him? Of the ten artists who auditioned for the project, what recommended Cinalli above the others? Presumably all applicants were adept at the human figure, all capable of managing the demands of a large-scale wall painting. What was the distinguishing feature of the winning artist’s portfolio? Go ahead, take a guess:   The bulk of Cinalli’s output—prior to and close to the time of the commission—exhibits a will to startle, an inner necessity to stick a thumb in the eye of Mr. Continue Reading
illustration for The Nutcracker by Gannady Spirin

With liturgical regularity, Christmastide brings the magic of The Nutcracker. This is the perfect season for it. By December, the year’s worth of adult disdain for all things enchanted has reached a crescendo. “No, Virginia, you’ve been had,” galumph uncomprehending gradgrinds who dismiss fantasy as lying. Childhood’s sensitivity to wonder is put to the test this time of year. Children are made to suffer obtuse grown-ups who refuse to believe that toys come alive, that mice have queens, or have forgotten that nightmares, too, have their bewitchments. Continue Reading