ShareBEING AN ARTIST MEANS you never have to say, “I failed.” Think of the advantage that gives artists over the rest of the plodding classes. Artists never have to admit the lack of wit, talent, or stamina needed to conceive of work, realize it and see it through. All they have to do is rummage [...]
Monthly Archive for May, 2011
ShareI CANNOT TELL A LIE, much as I would like to. This wonderful bit of Photoshopping was sent by a reader who calls himself Mr. Eyeballs. I wish I could say I found it myself.
Who knew just how contemporary that Mona Lisa smile could be? A stylized expression in Leonardo’s day, it suddenly looks quite [...]
ShareIN CASE ANY OF YOU WONDERED WHETHER SUSTAINABILITY was, at heart, an ideological love affair with subsistence living, take a gander:
Take this as a fashion forecast of our new footgear when the sustainable crowd finally erases the Industrial Revolution and its works from the planet. The shoes on the left are a bit hard to [...]
ShareREADER SAM’S REFERENCE, in a comment on the previous post, to the biblical story of Adam naming the animals lends thrust to Tallis’ argument on—for lack of a better term—the metaphysics of pointing.
The Genesis narrative distills into a simple, vivid anecdote the substanceN of Raymond Tallis’ thesis in Michelangelo’s Finger. The mythical Adam could hardly [...]
ShareORDAINED ART APPRECIATORS are, in the main, a predictable tribe. Often enough, the freshest and most intellectually satisfying comments on art from outside the expected punditariat. Michelangelo’s Finger: An Exploration of Everyday Transcendence, by Raymond Tallis, is an engaging, erudite excursion into what it means to be human. Tallis, a professor emeritus of geriatric medicine [...]
ShareTHE FLATTERING NOTION—fallacy, really—that artists see more than other, unpoetic, people comes to us from the Romantics. The German brand (Hegel, Schelling, Hölderlin, Schiller, Fichte and no small bit of Goethe) has been particularly virulent. Up to a point, of course, that bit about seeing has some merit. Down the centuries, artists were better than [...]
ShareNEW YORK REMAINS A MARKETING CENTER but it has not been a creative center for at least two decades. Robert Hughes was saying as much in the early Eighties. Artists live where they like, where they can afford. They spend just enough occasional time in New York to get to know galleries where their work [...]